Blinded by the Light 1

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. Manus et Machina continues where Thx for the Brush left off — but here, the human hand returns after the machine has drawn. Each piece begins as a robotic pen drawing from a digital collage, then receives layers of spray paint, crayon, and gold leaf applied by hand. The result is a dialogue between precision and gesture, algorithm and instinct. Silhouette and halftone raster compete for the viewer's attention in a perceptual toggle — you see one or the other, rarely both at once. The gold leaf adds a final layer: eternity meeting impermanence, icon meeting street.

Blinded by the Light 1 — a classical bust in blue halftone, profile turned, eyes hidden beneath a cloth rendered in red raster — the veil itself drawn in the same mechanical lines as the face it covers. Springsteen wrote the line in 1973; Manfred Mann turned it into a hit most people sing without understanding the words. The bust doesn't understand either — it can't see what covers it, only that something does. Gold leaf pins the two layers together at the neck, sparse and deliberate, supporting the image without competing with it. Crayon circles push the depth — foreground, background, the space between seeing and being seen. First of a triptych, each reconfiguring what it means to be blinded.

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About the artist

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