Two Shiny Dots

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. Manus et Machina continues where Thx for the Brush left off — but here, the human hand returns after the machine has drawn. Each piece begins as a robotic pen drawing from a digital collage, then receives layers of spray paint, crayon, and gold leaf applied by hand. The result is a dialogue between precision and gesture, algorithm and instinct. Silhouette and halftone raster compete for the viewer's attention in a perceptual toggle — you see one or the other, rarely both at once. The gold leaf adds a final layer: eternity meeting impermanence, icon meeting street.

Two Shiny Dots — a manga figure runs through the frame, gun raised, her silhouette cut from a field of red halftone that reads like animal print — leopard rendered by machine into something between fashion textile and pop abstraction. The method of the Manus et Machina series is inverted: here the surrounding pattern defines the figure, not the other way around. Inside the silhouette, a fine grid appears — the check pattern of a school notebook, quiet and orderly against the chaos outside. Learning versus the danger life throws around it. Two gold leaf accents sit where the body keeps its own secrets, a subtle reminder that not all danger comes from outside. Lichtenstein turned manga-style comics into gallery painting; here the manga heroine becomes negative space and lets the world around her do the talking. Crayon circles and spray drops scatter across both zones — the safe grid and the wild pattern, equally marked, equally real.

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About the artist

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