Blinded by the Light 2

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. Manus et Machina continues where Thx for the Brush left off — but here, the human hand returns after the machine has drawn. Each piece begins as a robotic pen drawing from a digital collage, then receives layers of spray paint, crayon, and gold leaf applied by hand. The result is a dialogue between precision and gesture, algorithm and instinct. Silhouette and halftone raster compete for the viewer's attention in a perceptual toggle — you see one or the other, rarely both at once. The gold leaf adds a final layer: eternity meeting impermanence, icon meeting street.

Blinded by the Light 2 — a male bust, broken in two — upper and lower half separated, the fracture running through the face like a ruin that hasn't finished falling. No blindfold here: the eyes are open, the gaze intact, sight restored but the head split apart — as if seeing clearly came at a structural cost. A paisley bandana wraps around the lower fragment, mouth still visible, street worn over stone. Behind the pieces, a cloth drifts between upper and lower half, not quite holding them together, not quite letting go. Gold leaf marks the junction, the smallest amount of precious material doing the heaviest structural work. Crayon circles anchor the foreground against the bust's depth. The middle piece of the triptych flips the premise: in 1 and 3 the bust is blinded but whole — here it can see but is broken. Maybe that's the cost Springsteen was writing about all along.

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About the artist

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