Cold as Ice Cream

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. Manus et Machina continues where Thx for the Brush left off — but here, the human hand returns after the machine has drawn. Each piece begins as a robotic pen drawing from a digital collage, then receives layers of spray paint, crayon, and gold leaf applied by hand. The result is a dialogue between precision and gesture, algorithm and instinct. Silhouette and halftone raster compete for the viewer's attention in a perceptual toggle — you see one or the other, rarely both at once. The gold leaf adds a final layer: eternity meeting impermanence, icon meeting street.

Cold as Ice Cream — "cold as ice" is a threat; add "cream" and it melts into something sweet, childlike, harmless. A skull grins in blue halftone, spitting black drops across the paper. Inside the bone, a girl's mouth licking ice cream — the sweet life literally contained within death. Gold leaf fills one eye socket, and she licks it: desire meeting the void, tongue on the eye of death. Yellow crayon slashes frame the scene. Damien Hirst encrusted a skull with diamonds and called it For the Love of God; this one gets a gold eye and a girl who treats mortality like dessert.

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About the artist

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