Come on, I Tell You about Life

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. Manus et Machina continues where Thx for the Brush left off — but here, the human hand returns after the machine has drawn. Each piece begins as a robotic pen drawing from a digital collage, then receives layers of spray paint, crayon, and gold leaf applied by hand. The result is a dialogue between precision and gesture, algorithm and instinct. Silhouette and halftone raster compete for the viewer's attention in a perceptual toggle — you see one or the other, rarely both at once. The gold leaf adds a final layer: eternity meeting impermanence, icon meeting street.

Come on, I Tell You about Life — the title reads like a bar conversation at 2 AM, someone leaning in, insistent, about to share something they think is profound. Winnie the Pooh walks hand in hand with Piglet on a pitch-black ground — the Hundred Acre Wood after dark. Gold leaf eyes turn the world's most comforting bear into something possessed, a stuffed animal that has seen too much and wants to talk about it. Inside the silhouette, Ukrainian apartment blocks burn — the rasterized reality of war contained within the children's character we use to feel safe. The black background inverts everything: what was once bedtime comfort becomes a late-night confession. "Come on," says the bear to the little pig, "I tell you about life." Piglet keeps walking.

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About the artist

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