Princess Grills

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. Manus et Machina continues where Thx for the Brush left off — but here, the human hand returns after the machine has drawn. Each piece begins as a robotic pen drawing from a digital collage, then receives layers of spray paint, crayon, and gold leaf applied by hand. The result is a dialogue between precision and gesture, algorithm and instinct. Silhouette and halftone raster compete for the viewer's attention in a perceptual toggle — you see one or the other, rarely both at once. The gold leaf adds a final layer: eternity meeting impermanence, icon meeting street.

Princess Grills — a Disney princess silhouette in blue halftone, the ballgown, the updo, the posture of someone waiting to be rescued. Inside the fairy tale, a face grins back with a mouth full of grillz — gold and diamond dental jewelry, hip-hop's most visible status symbol rasterized into the body of the most passive archetype in Western storytelling. The perceptual toggle hits hard here: either you see the innocent princess or the rapper's grin, and the switch keeps flipping. Innocence versus performed coolness — but who's really wearing the costume? The princess pretends to be helpless, the rapper pretends to be dangerous, and both are playing a role for an audience that wants to believe. Who's the real badass? A gold leaf point at the hem, the material that belongs to both crowns and canines.

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About the artist

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