Simply Incredible

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. The Thx for the Brush series extends the painter's space with robotic tools: compositions emerge from digital collages, cutouts, and elements that develop directly on the paper — the work builds up on the sheet as much as it arrives from the screen. Many follow the Wheel of Fortune — Sebi collects thematic image sets from art history, pop culture, and the internet, runs them through the randomizer, and lets unexpected constellations emerge. The plotter translates, but the encounter between pen and paper introduces variables neither artist nor machine fully controls — ink pools, skips, bleeds. Tinguely built drawing machines to question authorship in 1959; Sebi's plotter picks up that thread sixty years later. "The miracle has already happened once something is physically manifested."

Simply Incredible — the title reads like a punchline, an Instagram caption, a breathless review of something you've already forgotten. That deliberate flatness is the point. The composition collects what the Wheel of Fortune randomizer threw together: a 1960s mainframe computer, a mother-and-child motif, a laughing man from a leaflet, a figure lifted from a Japanese ukiyo-e woodblock print, and at the center — one of the oldest art-historical finds on record, a golden funeral mask that may predate most of what we call Western art. Five thousand years of image-making, from Mycenae to IBM, compressed into a single halftone field. The title's irony cuts both ways: nothing about this collision is simple, and "incredible" is exactly what it is — in the literal sense of hard to believe.

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About the artist