Walk and Stop

Sebi works across spray stencils, robotic pen drawing, gold leaf, and digital collage — his practice moves between appropriation and reinvention, art-historical imagery taken apart, digitally recombined, then brought back into physical form. The Thx for the Brush series extends the painter's space with robotic tools: compositions emerge from digital collages, cutouts, and elements that develop directly on the paper — the work builds up on the sheet as much as it arrives from the screen. Many follow the Wheel of Fortune — Sebi collects thematic image sets from art history, pop culture, and the internet, runs them through the randomizer, and lets unexpected constellations emerge. The plotter translates, but the encounter between pen and paper introduces variables neither artist nor machine fully controls — ink pools, skips, bleeds. Tinguely built drawing machines to question authorship in 1959; Sebi's plotter picks up that thread sixty years later. "The miracle has already happened once something is physically manifested."

Walk and Stop — two haute couture runway figures merge into one blue field, caught between stride and pose. One walks, the other halts — the title's instruction played out literally across the paper. Entirely in blue ink, the overlapping silhouettes create shifting densities where the plotter's diagonal lines double up, bodies dissolving into each other like a Muybridge sequence collapsed into a single frame. A small geometric pair of squares — one white, one dark — sits in the lower corner like a color swatch or a pause button. The fashion world calls it a walk; Sebi calls it what it is.

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About the artist